Journal of Seventeenth-Century Music, volume 9 (2003) no. 1
http://www.sscm-jscm.org/v9/no1/Harness.html
ISSN: 1089-747X
Kelley Harness
Le tre Euridici: Characterization and Allegory in the Euridici
of Peri and Caccini
Example 4
Jacopo Peri, Le musiche sopra l’Euridice (Florence,
1601), 32: Pluto’s musical “thumbprint” and Orfeo’s
use of it in response (scene 4)
Return to paragraph 4.4.
Return
to paragraph 5.3