VOLUME 3 (1997) NUMBER 1

Table of Contents

Reviews

          BOOKS

• ROBERT L. KENDRICK, Celestial Sirens: Nuns and Their Music in Early Modern Milan (Oxford: Clarendon Press, 1996). Reviewed by Steven Saunders
• STEVEN SAUNDERS, Cross, Sword, and Lyre: Sacred Music at the Imperial Court of Ferdinand II of Habsburg (1619-1637) (Oxford: Clarendon Press, 1995). Reviewed by Stewart Carter
• NOEL O'REGAN, Institutional Patronage in Post-Tridentine Rome: Music at Santissima Trinità dei Pellegrini 1550-1650 (London: Royal Musical Association, 1995). Reviewed by Giuseppe Gerbino
• BERNARD BRAUCHLI, SUSAN BRAUCHLI, AND ALBERTO GALAZZO, editors., De Clavicordio II: Proceedings of the International Clavichord Symposium, Magnano, 21-23 September 1995 (Magnano: Musica Antica a Magnano, 1996). Reviewed by David Harris

MUSICAL EDITIONS

• GIROLAMO FRESCOBALDI, "Fioretti del Frescobaldi": London, British Library Add. 40080, edited by Andrea Marcon and Armin Gaus (Zimmern ob Rottweil: Edition Gaus, 1994).  Reviewed by Frederick Hammond
• Seventeenth-Century Italian Sacred Music, Anne Schnoebelen, general editor (25 vols.; New York and London: Garland Publishing, Inc., 1995- ). Reviewed by Jonathan Glixon
• JOHANN CASPAR KERLL, The Collected Works for Keyboard (New York: The Broude Trust, 1995), and Four Suites (New York: The Broude Trust, 1991), edited by C. David Harris. Reviewed by David R. Fuller
• GUILLAUME-GABRIEL NIVERS, Motets à voix seule, accompagnée de la basse continue, Paris, 1689, introduced by Philippe Lescat and Jean Saint-Arroman (Courlay: Fuzeau, 1994), and ROBERT BALLARD, Premier Livre de tablature de luth, 1611, introduced by Pascale Boquet and François-Pierre Goy (Courlay: Fuzeau, 1995). Reviewed by David J. Buch

COMPACT DISCS

• Stravaganze: 17th-Century Italian Songs and Dances, performed by The King's Noyse: David Douglass, director, with Andrew Lawrence-King, harp (Harmonia Mundi USA, 1995). Reviewed by Wendy Heller
• JOHANN HEINRICH SCHMELZER, Violin Sonatas, performed by Romanesca: Andrew Manze, violin; Nigel North, theorbo; John Toll, harpsichord and organ (Harmonia Mundi USA, 1996). Reviewed by Peter Wollny

BRIEFLY NOTED by Bruce Gustafson, Reviews Editor

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Copyright statement

Copyright © 1997 by the Society for Seventeenth-Century Music. Except as otherwise provided, the author of each article in this issue has granted permission for paper or electronic copies of the textual and graphical portions of that article to be made for classroom use, provided that (1) copies are distributed at or below cost, (2) the author and the Journal are identified, (3) proper notice of copyright is attached to each copy, and (4) the Journal of Seventeenth-Century Music is notified of the use.

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